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Jazz Orchestra of the concertgebouw

'de beste bigband van Europa'

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    • Kaseko Time – The Story
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About us

Bigband of the future – connecting through jazz

‘contemporary big band jazz cannot be played much better‘
‘the Dutch response to modern jazz ensembles’

The Jazz Orchestra of the Concertgebouw has put big band music on the map in the Netherlands. Since 1999 we have been the backbone of jazz programming at the Royal Concertgebouw in Amsterdam, alongside many other venues in the Netherlands, with many tens of thousands of visitors every year. We see it as our task to make our cultural heritage of almost a century of Dutch jazz accessible to new generations and at the same time focus on innovation and new music.

Press

Several times the Jazz Orchestra of the Concertgebouw was voted the best and most swinging Dutch big band and since the launch of our new album Crossroads this has been amply confirmed by both the enthusiasm of our audience and that of the national and international press. … [read more]

About our album Crossroads, the press writes:

  • A revolving double album – Amanda Kuyper, NRC Handelsblad
  • One of the best albums ever released in Dutch jazz – Cyriel Pluijmakers, Jazzenzo
  • The JOC is a world-class orchestra, and contemporary big band jazz cannot be played much better – Jack Bower, All About Jazz (USA)
  • Without a doubt the Jazz Orchestra of the Concertgebouw is the Dutch response to modern jazz ensembles such as the Maria Schneider Big Band or the WDR Big Band – Detlef Ott, The Gazette (Duitsland)

… read more about this album and read, watch and listen more here!

Awards and prizes Jazz Orchestra of the Concertgebouw
In 1999 the Jazz Orchestra of the Concertgebouw was nominated for the CD Festival and in 2010 received the Edison Jazz & World for the CD Blues for the Date, which was also named one of the best large ensemble albums of 2010 by the authoritative magazine All About Jazz New York.
Founder Henk Meutgeert was awarded the Bird Award by the North Sea Jazz Festival in 1999 and is the first Dutch person to receive the Concertgebouw Jazz Award.
The orchestra itself consists of a large number of laureates: during his successful career to date, Peter Beets has won the Pall Mall Swing Award, the Princes Christina Competition and the prestigious Prix Martial Solal.
Guitarist Martijn van Iterson received the Bird Award (2004) and won the Laren Jazz Award (2012). Lead saxophonist Joris Roelofs, winner of the Pim Jacobs Jazz Award and the Deloitte Jazz Award was also the first non-American to win the prestigious IAJE Stan Getz / Clifford Brown Fellowship Award. Roelofs also won the composition prize of the North Sea Jazz Festival (2018). Ruud Breuls is the winner of the Wessel Ilcken Prize (1988) and the Laren Jazz Award (2013). Trombonist Ilja Reijngoud is winner of the prestigious Thelonious Monk Award in 2003 (for his composition No Substitute) and received an Edison for his Shakespeare Album in 2003.

International
internationally the Jazz Orchestra of the Concertgebouw is also held in high esteem. Almost every year the orchestra is somewhere abroad to present its music somewhere abroad. During those concerts, the Jazz Orchestra plays both its own music made by Dutch  and the international jazz heritage. Sometimes supported and sometimes not supported by soloists of international class. In recent years the orchestra has performed in Jakarta, Shanghai, Shenzhen, Guangzhou, Budapest, Brussels, Cape Town, Java, Vienna, Vilnius, Klaipeida, Tokyo, Mishima and Beijing. The 2010 World Tour included Santiago de Chile, Buenos Aires, Rio de Janeiro, Sao Paulo, Mexico City and Macau. The US, Europe and China are scheduled for 2019.

Clubtours
From 2016 the Jazz Orchestra can be heard regularly on the Dutch pop stages. The first Club tour, with the legendary Hammond B3 player Dr. Lonnie Smith was so successful that this has become a permanent part of our offer. The orchestra combines jazz, funk, soul and rhythm & blues in dazzling shows with singers such as Berget Lewis, Shirma Rouse, Pink Oculus, Fay Claassen and Sabrina Starke.
… read more

Nederlands jazzerfgoed
The orchestra sees it as its task to make our cultural heritage, of almost a century of Dutch jazz, accessible to new generations and to further develop it, among other things by explicitly seeking collaboration with new generations of (jazz) musicians. Orchestras such as the Skymasters, Boy’s Big Band, Willem Breuker Collective and the ICP have been important inspirers. In addition to work by Meutgeert, the Jazz Orchestra of the Concertgebouw also performed works by Dutch arrangers such as Rob Pronk, Frans Elsen, Jerry van Rooyen and Boy Edgar and collaborated with Dutch composers such as Misha Mengelberg, Willem Breuker and Theo Loevendie.

New music and new generations of jazz musicians
In addition to the heritage function of the orchestra, artistic policy also focuses emphatically on innovation and new music. In recent years work has been done on a large library with new arrangements and compositions, mostly by Dutch composers and arrangers. In recent years, special concert series have also been developed such as Rhythm Changes, JOC Jazz Factory and the JOC goes Vreemd. In addition, the Jazz Orchestra participates in an important partnership with the Conservatory of Amsterdam, in the so-called Jazz Academy: young, almost graduated top musicians are trained in playing in and with a big band and accompanied by our experienced musicians to actually play for the public. Talent development and musical innovation are central.

World class guest soloists
The Jazz Orchestra regularly worked and collaborates with world-class guest soloists, including Toots Thierlemans, Kurt Elling, José James, Chick Corea, Branford Marsalis, Oleta Adams, Benny Golson, Christian Scott, Roy Hargrove, Patti Austin, Dr. Lonnie Smith, Georgie Fame and national artists such as Caro Emerald, Trijntje Oosterhuis, Fay Claassen, Sabrina Starke, Berget Lewis, Ruben Hein, Mathilde Santing, the SE! Choir and many others.

Background
For the past 20 years we have played on much larger and smaller stages and festivals and worked with dozens of arrangers and soloists, always under the same motto: connecting through jazz. From 1999, on the initiative of the then director Martijn Sanders, the orchestra bears the name of the Royal Concertgebouw, the only concert hall in the world that, in addition to a classical orchestra, has also attached a name to a jazz orchestra.

The Jazz Orchestra consists of the best Dutch jazz musicians, is firmly rooted in the Dutch big band tradition and rightly occupies a prominent position in it. Together with our conductors Dennis Mackrel (chief conductor) and Rob Horsting (co-conductor and our main arranger), our band members give the JOC a unique sound.

The sound of the Jazz Orchestra is based on that of the second half of the 20th century and is distinguished by a full and warm sound of the wind instruments, sharp timing and an exciting musical interaction between the musicians themselves.
[/read]


Special projects

From its pioneering role in the Dutch jazz scene, the Jazz Orchestra is constantly developing new projects for top talent in jazz and expanding and deepening the big band repertoire. These projects enrich the big band field with new music and build bridges between different generations of musicians and the audience.

Jazz Orchestra Fooling Around
Jazz Orchestra meeting young multi-talents, getting out of their comfort zone … [read more]
Recently, a number of band members with a number of young multi-talents dived into the various studios to jam – literally and figuratively from the comfort zone – and to work on big band operations with the pieces of the participants as their starting point.
.. read more about Jazz Orchestra Gaat Vreemd
[/read]

Jazz AcademyA new collaboration with the Conservatory of Amsterdam for master students … [read more]
The Jazz Academy is an initiative of the JOC i.s.m. the CvA in which master students receive intensive supervision and can play as an internship in the JOC. Project-based work is always carried out towards implementation.[/read]

Arrangers ProjectYoung arrangers experience arranging for and working with a professional bigband … [read more]
The Arrangers Project gave young arrangers the opportunity to gain the first experience in working with big band under the supervision of an internationally renowned arranger / band leader. In this project we collaborated with CODARTS, Hogeschool Zuyd and the Conservatorium van Amsterdam. The packages that have been written above have been made available to amateur big bands in the Netherlands.

.. read more about the Arrangers Project [/read]

Rhythm Changes
Project to present young Dutch top talent composers … [read more]
The Rhythm Changes series has given Dutch top talent such as Reinier Baas, Ben van Gelder, Simin Tander, Maarten Hogenhuis, Gideon van Gelder, Morris Kliphuis and Sebastiaan van Bavel a stage and challenged themselves to develop compositionally by writing for a large line-up.[/read]

Jazz Factory
[read more]From 2017, the Hotel Arena chapel became the breeding ground for new music from the Jazz Orchestra of the Concertgebouw. On the basis of always a new theme, the audience was included in the creative process of developing our new music. Each concert had a central theme, which was presented with stimulating interviews with musicians and in texts by young opinion makers / writers / poets, nominated by Lucas De Man – known among others for Kunstuur and Nieuwe Helden.

[/read]


Musicians

The Jazz Orchestra consists of a selection of the best jazz musicians in the Netherlands: excellent soloists, improvisers and ensemble players. Many also work as a composer / arranger and most also have their own (inter) national career. The excellent qualities of our band members as arrangers and composers are shown on our album Crossroads, an own production with compositions exclusively from our band members. Many of our musicians combine their solidarity with the Jazz Orchestra of the Concertgebouw with an appointment as principal subject teacher at one the Dutch conservatories.

  • Bert Boeren
    Trombonist
    Bert Boeren
    Trombonist
  • Martijn van Iterson
    Guitar
    Martijn van Iterson
    Guitar

    Leiden, 1970

    Hilversums Conservatorium

    Making music is my pleasure and my life. The musical journey of discovery started at the age of seven, on an old attic guitar. My Gibson ES-125 is a gift from Wim Overgaauw. I often came to his house and always took the same guitar from the wall. Not long before his death in 1995, Wim said I could take the guitar with me. I have never come across one that inspires me more in terms of sound and energy. Stage debut In jazz café The Duke in Leiden I was allowed to play with Split Kick, my father's band. I've never been so nervous. The Duke had live jazz every day and jam session every week. I played with people of higher level. In fact, I became "professional musician" at the age of sixteen. Wise lessons Every moment with Wim Overgaauw, the nestor of the Dutch jazz guitar, I consider wise lessons and inspiration. Lessons at the Conservatory, performing together, talking about music in the hospitality industry and at home, it was all equally valuable. My examples are Wes Montgomery, Jim Hall, Pat Metheny and John Scofield. Besides being influenced by guitarists, I was influenced by musicians like Miles Davis, John Coltrane, Bill Evans and Herbie Hancock. Unforgettable In 2010 we played in Guanajuato, where the Mexican War of Independence against the Spaniards had started in 1810. A stage for an old granary, TV recordings, beautiful weather and thousands of crazy Mexicans. The band was "on fire", partly inspired by the American drummer Adam Nussbaum. Jazz Orchestra There aren't many big bands with guitarists in the rhythm section. Founder Henk Meutgeert has always recognized the importance of this. The piano and guitar, nevertheless both harmonic instruments, are so attuned to each other that we do not get in each other's way. We have accompanied many world famous soloists. I feel privileged and hope to be able to sustain this for years to come.

  • Ruud Breuls
    Trumpet
    Ruud Breuls
    Trumpet

    Urmond, 1962

    Hilversums Conservatorium / Conservatorium van Amsterdam

    In 1988, Ruud Breuls won the Wessel Ilcken prize and in 2013 the Laren Jazz Award. Since 1990 he has been a jazz trumpet teacher at the Conservatory of Amsterdam. , Ronny Cuber and Bill Holman. In addition to the Jazz Orchestra of the Concertgebouw, he plays in the Stylus Horns and the Metropole Orchestra, among others.

  • Jelle Schouten
    Trumpet, section leader
    Jelle Schouten
    Trumpet, section leader

    Erik van de Berg wrote about Jelle Schouten and the trumpet a while ago in his review Butterflying Visions by Ebony Band: Van de Berg describes how the good-natured creepy Gonzo from the Muppet Show uses a scorching final. But instead of the final note, for example, a thunderous bang sounded, leaving the soloist with a bad snout and a crumpled instrument. "Eve threatened to create a similar scene on Saturday in the Ebony Band," continues Van de Berg. lead-trumpet player Jelle Schouten got so angry in Robert Graettinger's An Orchestra that fear had to be had for the beautiful stained glass windows of Paradiso. They loved it, but it certainly wasn't Schouten's fault with his formidable salvo that brought him a decibel record. "That was in 1996 - Schouten hasn't changed since then.

  • Marco Kegel
    Alto saxophone, flute, clarinet, section leader
    Marco Kegel
    Alto saxophone, flute, clarinet, section leader
  • Martijn Vink
    Drums
    Martijn Vink
    Drums
  • Marcel Serierse
    Drummer
    Marcel Serierse
    Drummer

    Rotterdam, 1962 Conservatory of Rotterdam (cum laude)

    'After forty years playing on Premier drums, the time was ripe for a new challenge. My DW sets sound great. They are super finished and look beautiful. I am currently using three different series. For jazz concerts I use the Jazz series with a maple / gumwood kettle, 'Serierse tells in De Slagwerkkrant. Serierse comes from a musical family and started playing drums at the age of 6. In 1990, Serierse was taught in New York by drummers Mel Lewis and Steve Gadd. He is a much sought after session musician in both the pop and jazz world. Everything revolves around versatility with always the right feel and sound; an all-rounder that always sounds authentic.Serierse played with Bob Brookmeyer, Michel Petrucciani, Johnny Griffin, Toots Thielemans, Al Jarreau and of course a wide range of great Dutch musicians.

  • Frans van Geest
    Bassist, section leader
    Frans van Geest
    Bassist, section leader

    Huntington, New York, 1968

    Hilversum's Conservatory

    Contrabass From the age of 7 to 12, I played the violin. At the age of fifteen, I was gripped by the bottom of the music and started playing the bass guitar. When I was twenty, it became the double bass. My current double bass is the best I've ever had. It was built in 1890 in Mirecourt, France. He sounds good in all registers - and solo as well - with a lot of low for a good walkin 'sound. We had a four-man band and played garage rock. For the occasion the band was expanded with a saxophonist. The fee for the entire band was 50 guilders. Wise classes Jazz bassist Ray Brown has a great influence on me. It sparkled from the early 1950s to the late 1990s. I get lessons by listening to his recordings. "Never stop studying" John Clayton once wrote to me in an email. I follow that advice. Unforgettable In 1989, the Ray Brown Trio played for TROS Sessjun. Nick Vollebregt’s Jazz Café shook to its foundations due to its beat and sound. And Brown played on my amp. Our performance with Elvin Jones with the Jazz Orchestra of the Concertgebouw was very special to me. He is one of the greatest jazz heroes. It clicked between us and it felt very good. Jazz Orchestra As a co-founder, I feel closely connected to the orchestra. You can take the audience on stage with you and your group. Our repertoire ranges from straight ahead to modern and fusion. In the rhythm section we groove as hard as possible and we always strive for the perfect performance.

  • Jorg Kaaij
    Alto saxophone, soprano saxophone, flute and clarinet
    Jorg Kaaij
    Alto saxophone, soprano saxophone, flute and clarinet
  • Ilja Reijngoud
    Trombonist, arranger / composer
    Ilja Reijngoud
    Trombonist, arranger / composer
  • Peter Beets
    Piano
    Peter Beets
    Piano

    The Hague, 1971

    Royal Conservatory The Hague

    Peter Beets is a world-class pianist, which is evident from the prestigious prizes he has collected from a very young age: the Pall Mall Swing Award at the age of 17 and a year later the Princess Christina Competition . In 1998 - the year he graduated and became the permanent pianist of the Jazz Orchestra of the Concertgebouw - Beets won the prestigious Prix Martial Solal in Paris. . He gets his first piano lessons when he is six. From 1985 he and his two brothers act as The Beets Brothers and in 1990 the first CD was released. When he launches his acclaimed CD New York Trio in 2001, it is the start of a flourishing international career. As a composer, Beets makes his debut with First Song with the Jazz Orchestra of the Concertgebouw. , made CDs with Jeff Hamilton, Larry Grenadier, Greg Hutchinson and Curtis Fuller. Jazz Orchestra In 2010 he and the Jazz Orchestra received an Edison for the masterful CD Blues for the Date - compositions by Peter Beets. Blues for the Date was named one of the five best large ensemble albums of the year by the authoritative All About Jazz.

  • Sjoerd Dijkhuizen
    Tenor sax and clarinet
    Sjoerd Dijkhuizen
    Tenor sax and clarinet
  • Juan Martinez
    Baritone saxophone, clarinet and bass clarinet
    Juan Martinez
    Baritone saxophone, clarinet and bass clarinet

    Leiden, 1965

    Conservatorium Groningen and Maastricht

    Why I chose the sax, is very simple: the great sound of the instrument. At the age of sixteen I started playing the sax myself. The baritone saxophonist always faces a dilemma: do you opt for an instrument up to low berry or low a? The sound concept is completely different. I have searched for a long time for the optimum instrument. My Selmer Mark VI baritone has a beautifully smooth sound. Wise lessons Frans Vermeerssen and Adri van Velsen were important for my early development. Frans taught me to think autonomously about musical structures. Adri sparked the fire to become a saxophonist. Joe Henderson was an important influence on my playing. Unforgettable The concert of the Miles Davis Group at the North Sea Jazz Festival 1984 was my most impressive and intense musical experience. In Groningen you could see everything and everyone performing at jazz café de Spieghel: Clifford Jordan, Philly Joe Jones, Buddy Tate, Boris van der Lek, Ferdinand Povel, Cees Slinger, Rein de Graaff and so on. Debut My debut was with the Tam Tam Fanfare, the band with Frans Vermeerssen. We played at the Jazz Marathon in the Oosterpoort in Groningen. I quickly became addicted to the energy that you are part of on stage. Jazz Orchestra I am incredibly proud of this orchestra. Such a broad repertoire and at the same time so adventurous. That is only possible if you have really good musicians together. And we play with the best. What an experience it was to play with my childhood hero Joe Henderson for the first time in the Concertgebouw! I look forward to the many wonderful concerts that we are going to give.

  • Simon Rigter
    Tenor saxophone and flute
    Simon Rigter
    Tenor saxophone and flute
  • Martin van den Berg
    Bastrombonist
    Martin van den Berg
    Bastrombonist

    Many musicians do not like to say much about themselves. Music is what they want to be heard, and the rest is not important. Yet it is funny to know that Martin van de Berg is not only bass trombone but that trombones are also made from the Martin brand, but that Martin himself is a Kuen-Hoyer plays: 'The Orchestra signature is a very sophisticated instrument. For me the first bass trombone that connects such an excellent tone, quality and flexibility through all registers with a clear attack on every note! ”Martin van den Berg is praised for his 'rhythmical amazing bassline' and is a teacher of music at the Conservatorium van Amsterdam.

  • Rob Horsting
    Conductor and arranger
    Rob Horsting
    Conductor and arranger

    In addition to Mackrel, Rob Horsting can regularly be found as a conductor for the orchestra. Horsting is also the regular arranger for the Jazz Orchestra and plays an important role in our talent development projects. Horsting is also a much sought-after and gifted arranger who has worked with numerous orchestras and soloists. Besides Dennis Mackrel, pianist and arranger Rob Horsting is the orchestra's regular conductor. He is also the regular arranger for the Jazz Orchestra and plays an important role in our talent development projects. In addition, Horsting (1966) draws for many wonderful arrangements of compositions by our band members and guest soloists. Horsting is also a much sought after and gifted arranger who has worked with countless orchestras and soloists from the WDR big band, the Orchestra of the East, FUSE to the Clark Terry Big Band, and from Roberta Gambarini, Ronald Snijders, Mike del Ferro, Toots Thielemans to Cristina Branco, and many others such as Deborah Brown, Roy Hargrove, Trijntje Oosterhuis, Ellen ten Damme, Izaline Calister, Stian Carstensen, Jimmy Heath, Johnny Griffin, Fay Claassen, Francien van Tuinen, George Coleman, Astrid Seriese, Benjamin Herman and Chick Corea.

  • Dennis Mackrel
    Chief conductor
    Dennis Mackrel
    Chief conductor

    Chief conductor Dennis Mackrel From November 2015, the Jazz Orchestra is conducted by chief conductor Dennis Mackrel (1962). Mackrel started his professional career as a ten year old and became the youngest drummer ever in the Count Basie band when he was twenty. Mackrel has played in orchestras such as The Vanguard Jazz Orchestra, The Carla Bley Very Large Band and the Dizzy Gillespie All Star Big Band. He developed from sideman to band leader in many collaborations with European orchestras including the UMO big band from Helsinki (Finland) and the WDR big band from Cologne (Germany). In 2010 he returned to the Count Basie Orchestra as a bandleader, where he remained active until 2013. The collaboration with the Jazz Orchestra of the Concertgebouw goes back to 2004, where he was first regularly heard as a drummer. Since 2014, Mackrel has led the orchestra several times, including in the Grote Zaal of The Concertgebouw. ​​In addition to his role as chief conductor of the Jazz Orchestra of the Concertgebouw, Mackrel is also a sought-after drummer and highly regarded composer and arranger. He was commissioned by the United States Millitary Academy (West Point's Jazz Knights Big Band), The Temple University Jazz Ensemble, The Columbus Jazz Orchestra and the McCoy Tyner Big Band with four Mackrel arrangements on the Grammy winning CDs The Turning Point and Journey .As a pedagogue, Mackrel is active in giving masterclasses, seminars and workshops throughout Europe, Asia, Canada and the United States. From 2002 to 2003 Dennis was a guest teacher at the Royal Conservatory in Aarhus (Denmark) and from 2012 to 2013 the Visiting Artist in Jazz Studies at the prestigious Eastman School of Music in Rochester, New York. He currently teaches at Queens College in Flushing, NY and is a member of the jazz faculty at Birch Creek Summer Jazz Camp in Egg Harbor, Wisconsin and the Skidmore Jazz Institute in Saratoga Springs, NY.

  • Wim Both
    Trumpet, section leader
    Wim Both
    Trumpet, section leader
  • Jasper van Damme
    Altsaxofoon
    Jasper van Damme
    Altsaxofoon

    Jasper van Damme (1986) studeerde aan de conservatoria van Rotterdam en Amsterdam, waar hij lessen volgde bij o.a. Dick Oatts, Ferdinand Povel en Benjamin Herman. In 2012 studeerde hij met een 10 af aan de Master-opleiding van het conservatorium van Amsterdam.

    Als solist en bandlid stond Jasper op vele Nederlandse en internationale jazzpodia, waaronder Carnegie Hall, het Koninklijk Concertgebouw en uiteraard het North Sea Jazz Festival.

    De afgelopen jaren won hij verschillende prijzen, meest recentelijk de Dutch Jazz Competition en de Conservatorium Talent Award. Collega’s en critici typeren Jasper als een muzikant die ‘lyrisch en vol overgave’ speelt.

  • Jan van Duikeren
    Trumpet
    Jan van Duikeren
    Trumpet
  • Jan Oosting
    Trombonist, section leader
    Jan Oosting
    Trombonist, section leader

    Emmen, 1968

    Groningen Conservatory and Hilversum Conservatory Trombone

    It was actually purely coincidence that I started playing the trombone. And I just can't get rid of it. With the Jazz Orchestra I prefer to take the Vincent Bach, but I also often play on my King. Which trombone I use depends entirely on the job. In Groningen I started with classical music, but soon I made the switch to light music. I feel much more at home there. Stage debut In my second year at the conservatory I already played in classical orchestras. Soon I also did studio work. I have been working as a freelancer for almost 25 years now. I like that very much. Wise lessons I am really a technical player. It's just a matter of doing it: studying and continuing to study. Unforgettable The foreign tours with the band are unforgettable in many ways !! Jazz Orchestra My goal is always to deliver good work. People come to a room especially for us and then I set the bar high. I like to work with people who are really good. The Jazz Orchestra is a fun group of people with great soloists.


Organisation

The organization is supported by a small, enthousiastic team of Jacks of all trades.

  • Jennie Duif
    Zakelijk directeur
    Jennie Duif
    Zakelijk directeur

    met een verhaaltje

  • Juan Martinez
    Artistic Director
    Juan Martinez
    Artistic Director
  • Arlette Hovinga
    International promotor
    Arlette Hovinga
    International promotor
  • Donna Lewis
    Boekingen
    Donna Lewis
    Boekingen

    donna.ronde@jazzorchestra.nl 

  • Hilde Slinger
    Production management
    Hilde Slinger
    Production management

Primaire Sidebar

juni 2022
jun 30 2022

Kaseko Time – The Story ft. Ronald Snijders & Jeangu Macrooy

Amare
juli 2022
jul 01 2022

Kaseko Time ft. Ronald Snijders & Band

Keti Koti Festival
jul 16 2022

Kaseko Time ft. Ronald Snijders & Band

Kwaku Festival
jul 29 2022

The Life of Nina Simone ft. Sabrina Starke

Concertgebouw Amsterdam
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  • Donna Lewis (Nederland)
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